Premiere Pro and Adobe Media Encoder native exporters bringing you ProRes / H264 / H265 / HAP codecs with excellent quality and lightweight files, for Windows and OSX, no Quicktime needed anymore! —aescripts + aeplugins
All tagged Codecs
Premiere Pro and Adobe Media Encoder native exporters bringing you ProRes / H264 / H265 / HAP codecs with excellent quality and lightweight files, for Windows and OSX, no Quicktime needed anymore! —aescripts + aeplugins
Adobe Premiere Pro is a beast of a program - both in terms of what it's capable of and the learning curve. Even long-time users wind up not taking the time to learn how to fully optimize it and get the most out of the software. Here's my top 10 tips to optimize Premiere Pro. Think of this as a guide to getting Premiere working best on your machine. —EposVox
In this video I am going to show you how to improve your workflow with heavy effects which most of my transitions are inside of Premiere Pro. As a lot of you have been having issues rendering effects, with them crashing or stopping at a certain point while rendering. While I personally don't have these issues ever since I have adapted my workflow to this. —Chung Dha
In this quick tutorial, we learn how to export transparent video with an alpha channel for lower thirds and other graphics. We quickly go through the settings on exporting a transparent video in Adobe Premiere Pro CC 2017. —Austin Newman
If you’re not using Premiere Pro’s Smart Render, you’re wasting valuable time. This article walks you through four different ways that you can speed up your exports in Adobe Premiere Pro. —Frame.io
The Cineform codec is a robust and stunning codec for many things, but proxies aren't one of them. This tutorial will guide you through some of the best and worse uses for using Cineform. —VideoRevealed
Best codec you should use for uncompressed lossless video! We're using ProRes and DNxHD in Adobe Premiere Pro for film. —Ignace Aleya
To beginners, "Alpha channel" sounds like a sci-fi term, like some kind of video 4th dimension. Simply put, it's transparency, something that can be seen through. For example, if you have a graphic that you want export and overlay on top of your video, you need to export it in a format that allows everything but the graphic to be transparent. Otherwise your graphic will be surrounded by black video. This Rocketstock blog post by Michael Maher is a quick look at some of the codecs and image formats that support an alpha channel. These formats can be used when exporting out of Premiere Pro or Adobe Media Encoder.
Creating an overlay or title sequence that you want to make sure keeps the alpha channel on export? Here are some of the best video codecs and image sequences that will make layering clips a breeze. —Michael Maher, Rocketstock blog
Source: https://www.rocketstock.com/blog/video-codecs-and-image-sequences-with-alpha-channels/
How good is the newly added native QuickTime DNxHD / DNxHR support in Premiere Pro CC 2017? Tall Guy Films shares the results of his tests, and based on the video thumbnail, it's not a spoiler to say it's impressive. Whether or not you experience the same results using the native QuickTime Avid codecs in Premiere Pro CC 2017, the important thing is Adobe has listened to the needs of it's customers. This is a big win for Windows users in particular!
Adobe just announced native support for DNxHD and DNxHR QuickTime exporting, but is it any better than third party plugin support? I did some tests to find out. —Tall Guy Films
Source: https://youtu.be/wYj74ov_fok