All tagged Only the Brave
We welcomed editor Billy Fox who just edited Joseph Kosinski's ONLY THE BRAVE using Premiere Pro CC. He talked about the pros and cons of using Premiere Pro in a major motion picture and more, including using Adobe's version 1 of their shared storage for the first time. Hosted by Michael Horton. —LACPUG
How would you respond to the request of editing your next film on a system you’d never used before? It would be pretty scary right? Billy Fox, editor of the new film “Only the Brave” did just that... “This was the first movie I’ve ever edited on Premiere” Fox said. —Videomaker
Cutting a feature film in Premiere Pro. Billy Fox, ACE, last spoke to Art of the Cut after he cut Straight Outta Compton. Fox’s other feature film work includes Hustle and Flow, Low Riders, Footloose and Black Snake Moan. His TV work is also notable, including the critically acclaimed and Emmy-nominated work on Band of Brothers and Emmy-winning editing on Law and Order. —Steve Hullfish, ProVideo Coalition
In 2013, an elite crew of firefighters known as the Granite Mountain Hotshots, were dispatched to one of the deadliest wildfires in recent U.S. history. Their heroic efforts to save Yarnell are the subject of a new feature film, Only the Brave, which premiered October 20, 2017. The movie was cut entirely using Adobe Premiere Pro CC, and the post-production team also used Adobe After Effects along with Industrial Light & Magic (ILM), the VFX and animation branch of Lucasfilm Ltd., for temp and final visual effects. —Adobe
Billy Fox edited iconic shows and films, including Pee-Wee's Playhouse, Law & Order, Band of Brothers, Hustle & Flow, Black Snake Moan, and Straight Outta Compton. For his latest project, Only the Brave, Billy made the switch to Adobe Premiere Pro CC. —Adobe
Searching for the Editorial Heartbeat Billy Fox, A.C.E, Editor, Only the Brave. —Adobe Creative Cloud
