Adobe Premiere Pro: Your Freeze Frame Options

Adobe Premiere Pro: Your Freeze Frame Options

Sean Schools
Tutorials, Editing

Freeze! Hold it right there! In this third Done with Dylan episode, Adobe Premiere Pro trainer, Dylan Osborn, teaches the differences between the freeze frame options in Premiere Pro... in under two-and-a-half minutes! Learn more about the Done with Dylan Premiere Pro tutorial series here: "DONE WITH DYLAN" PREMIERE PRO TUTORIALS FOR INTERMEDIATE EDITORS.

Do you understand all the freeze frame options available in Adobe Premiere Pro? This "Done with Dylan" tutorial demonstrates nine different ways to make freeze frames in two and a half minutes, so you can choose the one that works best for your edit. —Dylan Osborn

Adobe - Up Next for Premiere Pro CC and Media Encoder CC

Adobe - Up Next for Premiere Pro CC and Media Encoder CC

Sean Schools
News, Premiere Pro Updates

See what's next for Adobe Premiere Pro CC in this Adobe IBC 2016 preview. The next version of Premiere Pro CC will include Team Projects, a new hosted service that allows editors and motion graphic designers to work simulataneously without hardware support. Keyboard shortcuts will get a makeover with a new visual editor. Live Text Templates will no longer require an After Effects license. VR and Lumetri Color enhancements will also be added. There's so much to look forward to in this next release of Premiere Pro!

Today we’re thrilled to be revealing what’s coming next to our professional video and audio desktop applications, with new features for Adobe Premiere Pro CC and Adobe Media Encoder CC. —Bronwyn Lewis, Adobe

Premiere Gal: How to Use The Audio Network Plugin in Premiere Pro CC

Premiere Gal: How to Use The Audio Network Plugin in Premiere Pro CC

Sean Schools
Premiere Products, Tutorials, Audio

Kelsey Brannan a.k.a. Premiere Gal demos the Audio Network panel for Premiere Pro CC. Watch how easy it is to browse and license production music without leaving Premiere Pro!

Select production music in Adobe Premiere Pro using the Audio Network Music plugin, download here: http://adobe.audionetwork.com/ Note: This video demos downloads for what it is like to be an Audio Network member. It is slightly different for users who trial an MP3 in their edits and then get a full-quality WAV file after they purchase. —Premiere Gal

Premiere Pro Proxies - WHY THEY ROCK

Premiere Pro Proxies - WHY THEY ROCK

Sean Schools
Tutorials, Workflow

Filmmaker and Premiere Pro trainer, Christine Steele, shares some of the benefits of the recently added proxy workflow in Premiere Pro. Christine describes how using proxies is a welcome improvement compared to how she used to edit promos at ABC. Christine also includes a Premiere Pro proxy video tutorial by Chinfat (Channing Lowe), a YouTube channel that Premiere Pro users should recognize! This post was created using Adobe Spark.

Proxy Workflow inside the current version of Adobe Premiere Pro allows you to transcode footage during ingest, without having to use another application like Adobe Prelude or Adobe Media Encoder. —Christine Steele

BeatMatching - Adobe Premiere Pro CC Tutorial for Better Audio Transitions

BeatMatching - Adobe Premiere Pro CC Tutorial for Better Audio Transitions

Sean Schools
Tutorials, Premiere Products, Audio

In this tutorial, Mathais Möhl of Mamoworld demonstrates how BeatEdit can be used for tempo matching in Premiere Pro with the help of Adobe Audition. BeatEdit analyzes music tracks and applies clip markers to beats, These markers can be used to accurately retime tempo to seamlessly transition from one music track to another. Retiming is done in Adobe Audition for higher quality results, i.e. no monster or chipmunk effect.

In this Premiere Pro tutorial you learn how to adjust the tempo of one song to match the tempo of another one in order to create a smooth transition between them. —Mathais Möhl

Premiere Pro Tutorial: Old Film Look

Premiere Pro Tutorial: Old Film Look

Sean Schools
Tutorials, Effects

In this video, Tyler of Motion Array teaches how to create an old film look using only native Premiere Pro effects. Better still, all the effects are applied to one layer, allowing you to save this look as a preset in the Effects panel. This tutorial covers all the characteristics of old film: from sepia tone to scratches, flicker and noise, all in Premiere Pro.

In this Premiere Pro tutorial, you'll learn how to create a cool, stylized old film look inside of Adobe Premiere Pro. The best part of this tutorial is that the entire look is created on a single video track, so you can easily save out an old film preset to use in your future videos. —Tyler Williams

Creating Emotionally Transformative VR Experiences

Creating Emotionally Transformative VR Experiences

Sean Schools
News

Meagan Keane interviews Dan Emerson of Conan Roberts of VR City, a company they started to focus on telling stories in VR. They discuss the post-production workflow which involves cutting the story in Premiere Pro, round-tripping to Autopano Video Pro and After Effects, and then finalizing and color grading in Premiere Pro.

See VR City at the Adobe booth, IBC 2016:

Darren Emerson, Company Director, and Conan Roberts, Head of Post-Production, will talk about how they got started producing virtual reality documentaries and commercial content and their goal to create emotionally transformative experiences. —Meagan Keane

Ident Pictures gives viewers a 360-degree tour of the Gotthard Base Tunnel

Ident Pictures gives viewers a 360-degree tour of the Gotthard Base Tunnel

Sean Schools
News, Premiere Projects

This Adobe blog post (Ident Pictures gives viewers a 360-degree tour of the Gotthard Base Tunnel) features a 360° video documentary on the Goddard Base Tunnel by Roman Lehmann of Ident Pictures. Edited in Premiere Pro.

I’ve worked with Adobe Premiere Pro for three years and I’ve always liked that it can handle huge files, even 5K or 6K video. With a good computer, you can work quite flawlessly during the edit, and with proxy workflows in the newest version of Premiere Pro it is getting even easier. I don’t have to think about codecs and formats anymore because it’s all readable by Premiere Pro, which frees me up to think about the story instead of worrying about the technical aspects. —Roman Lehmann

See Ident Pictures at the Adobe booth, IBC 2016:

Managing Director Roman Lehmann will discuss his work creating video, audio, and photography content for television, film, and the web. He’ll also share his first 360-degree video project, a short film he helped create on the Gotthard Base Tunnel. —Meagan Keane

Advanced Color Grading in Lumetri - Adobe Premiere Color Correction Tutorial

Advanced Color Grading in Lumetri - Adobe Premiere Color Correction Tutorial

Sean Schools
Tutorials, Color

In this Premiere Pro video tutorial, Casey Faris shares an advanced color grading workflow using multiple instances of the Lumetri Color effect. It's important to understand the stacking of color adjustments in the Lumetri Color panel, and how each section feeds down into the next. For example, changes to the Basic color parameters could throw off a color key in the HSL Secondary. In some cases, as Casey demonstrates in this video, it's better to use separate Lumetri Color effects for each color adjustment.

In this tutorial, I'll show you some tips for stacking corrections and working smarter while doing some advanced color grading in the Lumetri Color panel in Premiere CC 2015.3. —Casey Faris

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