Forbes: Godzilla Resurgence Edited in Adobe Premiere Pro CC

Forbes: Godzilla Resurgence Edited in Adobe Premiere Pro CC

Sean Schools
News, Premiere Projects

Godzilla Resurgence had roaring success at the Japan box office. According to this Forbes interview with the film's co-editor, Atsuki Sato, Godzilla Resurgence was cut in Adobe Premiere Pro CC. Atsuki and his team decided on Premiere Pro CC based on previous experiences that taught them "the importance of carrying out filming, editing and VFX in  an entirely integrated manner." The integration with other Creative Cloud applications, particularly Dynamic Link with After Effects CC, continues to be a prevailing reason why filmmakers are choosing to edit with Premiere Pro CC. Check out the full Forbes interview with Atsuki Sato, which includes a picture of the Godzilla Resurgence edit inside Premiere Pro CC.

"We decided to compose our editing studio based on Adobe’s Premiere Pro CC, which enables integration for multiple devices and provides a flexible editing situation where multiple people could work simultaneously." —Atsuki Sato

Dylan Osborn: Set up a Proxy Workflow, Part 2

Dylan Osborn: Set up a Proxy Workflow, Part 2

Sean Schools
Tutorials, Workflow

This is the 2nd Done With Dylan tutorial in a 2-part series on proxy workflows in Premiere Pro. In this video, Dylan Osborn shows how to create both an encoding and ingest preset for proxies. Choosing the right aspect ratio for your proxies can be confusing. Luckily, Dylan has done all the math for you. He has provided a proxy conversion chart with the aspect ratios and frame sizes for common footage resolutions (see below). Visit Dylan's site to download his Proxy Frame Size Conversion Chart.

Part two shows you how to create custom ingest presets for different proxy frame sizes in four minutes. —Dylan Osborn

tdcat: Convert Stereo to Mono in Premiere Pro

tdcat: Convert Stereo to Mono in Premiere Pro

Sean Schools
Tutorials, Audio

In this short video tutorial, tdcat.com shows how to make a stereo track behave like a mono track using the Fill Left/Fill Right audio effects in Premiere Pro. Very useful if you've got a stereo clip, and one of the channels is the onboard camera audio.

Short tutorial on how to use one channel of a stereo track in Adobe Premiere Pro or make a dual mono track. This is useful to force a stereo vocal track to mono or use maybe only the left channel when the right channel has a different mic source. —tdcat.com

TheHighTechHobbyist: 15 Best Premiere Pro Tutorials of 2016

TheHighTechHobbyist: 15 Best Premiere Pro Tutorials of 2016

Sean Schools
Tutorials

Check out the top 15 Premiere Pro tutorials of 2016 recommended by TheHighTechHobbyist. Tutorials cover everything from editing and transitions to color and effects. This list goes beyond just the basics, there's plenty of specific tutorials on how to create logo animations, custom transitions, and the Sin City effect. This is a great roundup featuring YouTube channels including: VideoRevealed, Cinecom.net (Jordy Vandeput), Kriscoart, and more!

Premiere Pro CC can be a little overwhelming when you first open it up. So you’re probably wondering: what can I do with it, and how do I do it? We’ve got you covered! —TheHighTechHobbyist

Premiumbeat: Dynamic Trimming in Premiere Pro

Premiumbeat: Dynamic Trimming in Premiere Pro

Sean Schools
Tutorials, Editing

In this Premiumbeat blog post, Logan Baker teaches how to make trim edits during continuous looping playback in Premiere Pro. This technique is referred to as dynamic trimming, and It's great for finessing an edit point while seeing changes in context. 

"This quick tutorial covering dynamic trimming in Premiere Pro will help you achieve more precise playback while editing in the timeline." —Logan Baker, Premiumbeat

Derek Lieu: How to Make a Sound Reverb Out

Derek Lieu: How to Make a Sound Reverb Out

Sean Schools
Tutorials, Audio

Editor Derek Lieu, probably most known for his 26 Simple Tricks For Faster Editing (Premiere Pro CC), published a new blog post on how to "reverb out" in Premiere Pro CC. The challenge is the reverb only lasts till the end of the audio clip, so you're SOL if you want to end on a specific beat in a song. Sure, you could accomplish this easy in a DAW, but Derek has come up with a workaround for this within Premiere Pro CC. Watch the video above, or visit Derek's How to Make Sound Reverb Out blog post to follow along.

"Sometimes you need a sound effect or piece of music to reverb out. It could be a scream in a horror trailer, or something else that reverbs out over a cut to black. More commonly I use it when I want a piece of music I’m editing to end on a specific note to create a stop down moment in a trailer. Mostly it just gives me more options for editing music for trailers." —Derek Lieu

Surfaced Studio: Send Audio Effects

Surfaced Studio: Send Audio Effects

Sean Schools
Tutorials, Audio

Tobias of Surface Studios shows how to use track sends for audio effects in Premiere Pro. The cool thing about track sends is they can be sent pre- or post-fader. The benefit of using track sends, particularly for audio effects, is it gives you complete control over the levels of the source audio and the effect, also known as the "wet/dry" mix. To learn more, visit: Advanced Mixing in Premiere Pro.

Learn how to use 'Send' Effects in Adobe Premiere Pro to create exciting audio effects with full control over how the sound flows back into your final mix! In Premiere Pro, all audio flows from the clips on your timeline into their dedicated audio channel. —Surfaced Studio

Adobe Video World 2016 Day 5

Adobe Video World 2016 Day 5

Sean Schools
Events

Highlights from Day 5 of Adobe Video World 2016:

  • Secondary Color Correction in After Effects CC
  • Mocha AE Essentials
  • VR Workflows: Stitching and Effects
  • After Effects Expressions
  • Premiere Pro Driven After Effects Expressions
Adobe Video World 2016 Day 4

Adobe Video World 2016 Day 4

Sean Schools
Events

Highlights from Day 4 of Adobe Video World 2016:

  • Winning Over Clients with Quality Questions
  • Frame.io Case Study
  • Working with Effects in Premiere Pro CC
  • Tips for Better Masking and Tracking
  • Staying Organized in Premiere Pro CC
  • Creative Cloud Workflow Case Study
  • VR Storytelling and Interactivity
Premiumbeat: Create Custom Effect Presets in Premiere Pro

Premiumbeat: Create Custom Effect Presets in Premiere Pro

Sean Schools
Tutorials

Learn how to customize and save your own Premiere Pro effects in this Premiumbeat tutorial by Jason Boone. Watch the video above, or read to the blog post, to follow along with Jason as he shows how to create an effect preset that can be saved for later use, and easily shared with others.

"Understanding how to use effects in Premiere Pro is a great skill set to have as a video editor. The real power comes with learning how to customize and save your own effect presets. Let’s take a look at how to customize an effect in the Effect Controls panel, go over how to save a preset in the Effects panel, and learn how to export our final custom effect presets to share with others." —Jason Boone

Adobe Video World 2016 Day 3

Adobe Video World 2016 Day 3

Sean Schools
Events

Highlights from Day 3 of Adobe Video World 2016:

  • Adobe Day
  • Happy 25th Birthday Adobe Premiere Pro
  • A Trip Down Memory Lane with Al Mooney
  • Panel Discussion on Team Projects
  • Lunch and Breakout Sessions with Adobe Employees
  • The Future of Adobe
  • Adobe Video World Expo Night
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