All tagged Metadata
In this IBC 2018 presentation, Adobe’s Karl Soule shares best practices for editing at the highest levels of post-production and how Premiere Pro is built to handle the challenges of modern Hollywood workflows.
This is all about keeping the original metadata from sound exported from Premiere Pro to Pro Tools and why AAF files beat OMF files for retaining that data. You can view original timecode, track names, scene and take information too. This is very useful in bigger projects to find out the original metadata. —Matt Price
I go over how to add tags to footage in premiere pro cc. I also go over how to make a search bin for those newly tagged pieces of footage. —AdobeMasters
If you've ever wanted to sort your media using similar tagging found in DaVinci Resolve and Apple Final Cut Pro X, then this tutorial will show you how to set that up. In addition, this tutorial will show you how to take advantage of the Metadata categories already setup for video editing and how easy they are to apply. —VideoRevealed
LIVE from IBC 2017: Karl Soule, Strategic Development Manager at Adobe | Hollywood Workflows: Best Practices in Premiere Pro. —Adobe Creative Cloud
This tutorial shows how to enable "hidden" Metadata that will tell you how many times you've used media in your Timeline. Combining this with Subclips, makes working with B-Roll so much easier. —VideoRevealed
Artist Fresh Big Mouf is best known for his Beat Scout series, in which he makes music out of everyday objects. In this video, Fresh Big Mouf shows you how Adobe Premiere Pro frees up time for him to do the ridiculous things he's always wanted to do. —Adobe
If you’re an Adobe Premiere Pro user, you’re going to want to read this article. It’s over a thousand words. If you’re an casual user? I think it’s still going to be worth it. I’m going to talk about Search Bins. —Jeff Greenberg, ProVideo Coalition
Workflow junkies rejoice! Premiere Pro's "best kept organizational secret" is now public. Adobe Master Trainer, Jeff Greenberg has released his Search Bin project file for Premiere Pro. It's a project file with dozens of pre-made Search Bins based on Premiere Pro's metadata schema.
But what does a Search Bin do in Premiere Pro? In short, Search Bins collect clips in your project based on specific search criteria. In the article, Jeff creates a Search Bin for "good" clips using Premiere Pro's boolean metadata Good column. Any clips marked Good automatically populate the Search Bin. It's important to remember that all the clips in a Search Bin are duplicates - Search Bins don't move any of your original media.
So what else is included in Jeff's Search Bin project file? He provides a partial list in the article:
Now just imagine all the clips in your project automatically organizing themselves in your project. The only thing you need to do is add the appropriate metadata to your clips. You can add metadata to multiple clips using the Metadata panel. Jeff explains how in the article.
The Search Bin project file is free; all you need to do is enter your email. If you're ready to elevate your organization in Premiere Pro, read the article and download the project file.
Dave from Archaius Creative, a Post House for Wedding and Commercial work, shows show they sort B-Roll for commercials to help make the editing process faster and more organized. —LensProToGo
In this LensProToGo tutorial, Dave from Archaius Creative demonstrates his workflow for cutting down b-roll into useable footage in Premiere Pro. First, at 1:34, Dave sorts his clips in numerical order; this is important later when he begins filling in the Description metadata column. Then, Dave starts creating his selects sequences. He opens his clips in the Source monitor and marks an in and out point around the best part of the clip. This selection is added to a sequence along with all the other best parts from the other clips.
Here's an interesting method for using the Description metadata column in Premiere Pro. Starting at 2:30, Dave updates the Description field only when the action changes from clip to clip. In other words, he enters a description for the first clip and for all the following clips with the same action he leaves the Description field blank. When the action changes, he enters a new description. He knows that all the shots in between share the same description as the previous entry. This approach saves him from having to copy the same description for multiple clips.
Of all the features and capabilities in Premiere Pro, I think metadata is the most overlooked. Granted, Premiere Pro's metadata schemas could use a real facelift. Can you imagine a Lumetri Color-like panel for metadata? Until that comes, we have this fantastic Premiumbeat tutorial by Jason Boone to help us understand metadata in Premiere Pro. In the video, at 1:36 Jason covers the differences between the Clip and File sections of Premiere Pro's Metadata panel. At 3:41 see how the Metadata panel can be customized using the Metadata Display window. Lastly, at 5:02 Jason shows how to add custom metadata to your clips. Remember, you can add the same metadata to multiple selected clips in the Metadata panel.
In this video tutorial we'll take a look at a few different ways to use metadata in Premiere Pro. —Jason Boone, Premiumbeat Blog
Source: https://www.premiumbeat.com/blog/power-of-metadata-in-premiere-pro
