Learn How To Edit Stuff: How To Make Text Pop On Screen In Premiere Pro CC

Ian Sans is the dynamic front man of Learn How To Edit Stuff. This Premiere Pro tutorial isn't so much about making the text pop so much as it is about making the dialogue pop by adding onscreen text word-by-word. Just like a typography video. Watch Ian's method of duplicating the text layer in the timeline, one track per line of text, and then revealing individual words with the crop effect.

In this video, learn how to make text pop on screen while someone is talking word for word ... or something like that. —Learn How To Edit Stuff

Source: https://youtu.be/o_XY85lLR2s

Cinecom.net: Create a Spicy Face look in Premiere Pro

Jordy Vandeput of Cinecom.net spices things up in this tutorial on how to create a "spicy face" in Premiere Pro. This tutorial is only applicable to pepper-eating Premiere Pro users... just kidding. Learn how to track a mask onto a moving face, and how to make steam come out of someone's ears! These techniques could also be used for lots of faces. For example, what if someone ate too many Twinkies and you wanted to make a sick face?

Learn to use the masking and blending tool in this Adobe Premiere Pro tutorial to create a spicy face expression, full of emotions. —Cinecom.net

Source: https://youtu.be/CPcCW59Gm3w

Screenlight: The Definitive Guide to Adobe Premiere Pro's Media Cache

Premiere Pro's media cache is mysterious. Even today, I have to remind myself not to be afraid of it. Thankfully, there's this new guide from Screenlight, a blog post written by Premiere Pro trainer Jason Cox. He defines the media cache as a collection of "helper files" for Premiere Pro. Jason goes on to explain the different types of files and how to manage them. Great post!

Video editors deal with a lot of files. Beyond the of thousands of media files, render files, autosaves, and backups, the last thing we want to think about is additional… anything. But the dirty secret is, there are probably files on your system right now, devouring precious hard drive space and you have no idea they’re there! ::cue dramatic music:: Welcome to Premiere’s Media Cache! —Jason Cox, Screenlight Blog

Source: https://screenlight.tv/blog/the-definitive-guide-to-adobe-premiere-pros-media-cache

Rocketstock: Video Codecs and Image Sequences with Alpha Channels

To beginners, "Alpha channel" sounds like a sci-fi term, like some kind of video 4th dimension. Simply put, it's transparency, something that can be seen through. For example, if you have a graphic that you want export and overlay on top of your video, you need to export it in a format that allows everything but the graphic to be transparent. Otherwise your graphic will be surrounded by black video. This Rocketstock blog post by Michael Maher is a quick look at some of the codecs and image formats that support an alpha channel. These formats can be used when exporting out of Premiere Pro or Adobe Media Encoder.

Creating an overlay or title sequence that you want to make sure keeps the alpha channel on export? Here are some of the best video codecs and image sequences that will make layering clips a breeze. —Michael Maher, Rocketstock blog

Source: https://www.rocketstock.com/blog/video-codecs-and-image-sequences-with-alpha-channels/

Premiumbeat: Create a Simple Submix in Adobe Premiere Pro

Submixes are so convenient. They make global audio adjustments to specific tracks easy by grouping them into one mix. In this Premiumbeat tutorial, Jason Boone shows you how simple it is to create a submix track in Premiere Pro. Submixes are also a great way to create audio stems of your dialogue, music, SFX, etc.

Need to apply audio and effect changes to multiple audio tracks — all at the same time? No problem. Follow these steps to create a submix in Adobe Premiere Pro. —Jason Boone, Premiumbeat Blog

Source: https://www.premiumbeat.com/blog/create-submix-in-adobe-premiere-pro/

Justin Odisha: How to create a VHS VCR Camcorder Video Look in Adobe Premiere Pro

Reminiscing about the 90's? In this video tutorial, Justin Odisho teaches how to give your footage that timeless VCR look using native effects in Premiere Pro. For example, Justin begins with the Arithmetic effect to create a faux chromatic aberration. It's way cool. Now your footage can look like home videos again!

In this Adobe Premiere Pro CC 2017 tutorial I will show you how to create a vcr / vhs look using video effects, noise, glitches, and color distortions. Apologies for the semi rough voice in this one, getting over a cold! Back to normal soon. —Justin Odisho

Source: https://youtu.be/ilf20yDly2c

Peter McKinnon: Create the Cinematic look FAST in Adobe Premiere Pro

We've all seen the "Cinematic Look" or the "Hollywood Look" tutorial before, right? Well, Peter McKinnon shows you how in a way that is thorough, yet simple and easy to follow. Using the Lumetri Color panel in Premiere Pro. Peter walks through his simple process of adding more drama to his shots with a couple easy slider moves.

Learn how to create more cinematic / Hollywood looking footage with some easy tips on colour correction and a little bit of sound design. This tutorial outlines some basics in colour grading within Premiere Pro without having to use third party plug-ins. —Peter McKinnon

Source: https://youtu.be/GYud_W7Ou9E

Justin Odisho: How to Save and Use Custom Transition & Color Effects in Premiere Pro

Custom effects and transitions are really cool because they're yours. Safeguard them forever by saving them as presets. Tutorialist extraordinaire, Justin Odisho, shows you how to create effects presets in Premiere Pro so you can quickly apply your favorite custom effects to any project.

In this Adobe Premiere Pro CC 2017 Tutorial, I will show you how to create and use your own custom presets for free. This will allow you to save major time creating color effects and transitions on clips and projects. The possibilities are endless when you combine presets together and use different adjustment layers, sequences, and clips. —Justin Odisho

Source: https://youtu.be/1qXTOaNaYOQ

2017 ACE EDDIE Awards: Deadpool and Hail, Caesar! (Edited in Premiere Pro)

Congrats to the post-production teams of Deadpool and Hail, Caesar! for being nominated for the Eddie award for Best Edited Feature Film (Comedy). This is a big win for Adobe because both films were edited in Premiere Pro CC. Click the links below to read Adobe's blog posts on these films.

Source: https://americancinemaeditors.org/eddie-awards/eddie-nominees/

Boris FX: Finishing Techniques with BCC + Premiere Pro

Learn some advanced finishing techniques Boris FX Continuum Complete 10 for Adobe in this hour-long Boris FX webinar with visual effects artist and trainer, Ben Brownlee. Even if you don't have BCC 10 for Premiere Pro, this webinar will expose you to new finishing techniques for your video projects. And you may want to consider investing in BCC 10 for Premiere Pro.

Topics Covered: Pump up your effects by animating them to music with Beat Reactor Make your talent look their best with image restoration tools like Beauty Studio & Magic Sharp Easily track effects with the integrated mocha/PixelChooser Create broadcast ready multi-layered titles. —Boris FX

Source: https://borisfx.com/blogs/events/advanced-finishing-techniques-with-bcc-premiere-pro-12-15-16

Adobe: Gareth Edwards on the making of "Monsters"

Before he directed Rogue One: A Star Wars Story and Godzilla, Gareth Edwards made Monsters, a Spielbergian independent thriller. Hear from Gareth himself speak on how the Adobe Photoshop, After Effects and Premiere Pro helped him bring his film to the silver screen. He insightfully points out that, just like watching a movie is a singular experience, the ultimate post-production software should blur the lines between editing and visual effects. Gareth aptly puts it this way, "I'm a big fan of Adobe because it all interlinks".

Gareth Edwards is known for his successes with "Godzilla" and "Rogue One: A Star Wars Movie™", but many people still refer to his breakout independent film, "Monsters". Hear Gareth talk about how working in tools like Premiere Pro and After Effects enabled him to work quickly in multiple locations and deliver his film "Monsters". —Adobe

Source: https://youtu.be/7YXeF5iiUoY

Premiumbeat: 5 Tips to Organize and Customize Premiere Pro

As an editor, there's a lot of satisfaction in customizing your editing program to fit your needs. And when it comes to customization, Premiere Pro is king. In this Premiumbeat blog post, Jason Boone shares 5 tips for customizing Premiere Pro to help you save time, stay organized and edit faster. Tips include things like custom bins, workspaces, track hieght presets and more.

Speed and efficiency make all the difference in your daily video editing workflow. Use these tips, tricks, and techniques to customize your Premiere Pro experience for maximum organization. —Jason Boone, Premiumbeat Blog

Source: https://www.premiumbeat.com/blog/premiere-pro-organize-and-customize-tips