The Video Course: How to Make a Lower Third that Automatically Reveals Your Text in Premiere Pro

The Video Course: How to Make a Lower Third that Automatically Reveals Your Text in Premiere Pro

Sean Schools
Tutorials, Editing

Still recovering from a blown mind. The majority of this The Video Course tutorial is inside After Effects. The host, Kevin Anson, walks through the entire process of designing and animating a lower third that can be reused in Premiere Pro to reveal your text. This is not a Dynamic Link workflow or an AE Template. This lower third is rendered out of After Effects as a standalone asset. Kevin generously provides the project file for free below.

DOWNLOAD THE LOWER THIRDS FOR FREE HERE: http://thevideocourse.com/download-the-magical-lower-third-for-premiere/ —The Video Course

Source: https://youtu.be/2mBgM7Yn8xw

CasualSavage: How To Clone Yourself in Adobe Premiere Pro CC

CasualSavage: How To Clone Yourself in Adobe Premiere Pro CC

Sean Schools
Tutorials, Effects

We could all use another self right? In this YouTube tutorial, Casual Savage teaches how to create the clone effect in Premiere Pro. This is done by layering your locked-off camera footage, cropping or masking the top layer (Casual Savage uses the Linear Wipe effect) and feathering the edges so it looks like one seamless shot. Now it's just a matter of deciding which self has to go to work while the other stays home.

In this video, I will be showing you how to clone yourself in Adobe Premiere Pro CC. —Casual Savage

Source: https://youtu.be/AFJ1xeKJX6k

Olufemii Tutorials: Siiiick Premiere Pro Transition Technique: Deflection

Olufemii Tutorials: Siiiick Premiere Pro Transition Technique: Deflection

Sean Schools
Tutorials, Effects

Josh Olufemii is the artist behind Olufemii Tutorials. In this video, Josh shares his thoughts on deflection, which is not a specific transition or effect in Premiere Pro. It's a technique. Josh defines deflection as a visual distraction while transitioning from one clip to the next. He lists several forms of deflection, such as speed ramping, overlaying, and popping shapes. Most importantly, Josh says these visual elements must be accompanied by an audio effect for maximum impact. This tutorial has a lot of interesting concepts. Well worth the watch and consideration.

Source: https://youtu.be/nqe6VLhZxI8

Learn How To Edit Stuff: How To Make Text Pop On Screen In Premiere Pro CC

Learn How To Edit Stuff: How To Make Text Pop On Screen In Premiere Pro CC

Sean Schools
Tutorials, Editing

Ian Sans is the dynamic front man of Learn How To Edit Stuff. This Premiere Pro tutorial isn't so much about making the text pop so much as it is about making the dialogue pop by adding onscreen text word-by-word. Just like a typography video. Watch Ian's method of duplicating the text layer in the timeline, one track per line of text, and then revealing individual words with the crop effect.

In this video, learn how to make text pop on screen while someone is talking word for word ... or something like that. —Learn How To Edit Stuff

Source: https://youtu.be/o_XY85lLR2s

Cinecom.net: Create a Spicy Face look in Premiere Pro

Cinecom.net: Create a Spicy Face look in Premiere Pro

Sean Schools
Tutorials, Effects

Jordy Vandeput of Cinecom.net spices things up in this tutorial on how to create a "spicy face" in Premiere Pro. This tutorial is only applicable to pepper-eating Premiere Pro users... just kidding. Learn how to track a mask onto a moving face, and how to make steam come out of someone's ears! These techniques could also be used for lots of faces. For example, what if someone ate too many Twinkies and you wanted to make a sick face?

Learn to use the masking and blending tool in this Adobe Premiere Pro tutorial to create a spicy face expression, full of emotions. —Cinecom.net

Source: https://youtu.be/CPcCW59Gm3w

Screenlight: The Definitive Guide to Adobe Premiere Pro's Media Cache

Screenlight: The Definitive Guide to Adobe Premiere Pro's Media Cache

Sean Schools
Tutorials, Workflow

Premiere Pro's media cache is mysterious. Even today, I have to remind myself not to be afraid of it. Thankfully, there's this new guide from Screenlight, a blog post written by Premiere Pro trainer Jason Cox. He defines the media cache as a collection of "helper files" for Premiere Pro. Jason goes on to explain the different types of files and how to manage them. Great post!

Video editors deal with a lot of files. Beyond the of thousands of media files, render files, autosaves, and backups, the last thing we want to think about is additional… anything. But the dirty secret is, there are probably files on your system right now, devouring precious hard drive space and you have no idea they’re there! ::cue dramatic music:: Welcome to Premiere’s Media Cache! —Jason Cox, Screenlight Blog

Source: https://screenlight.tv/blog/the-definitive-guide-to-adobe-premiere-pros-media-cache

Rocketstock: Video Codecs and Image Sequences with Alpha Channels

Rocketstock: Video Codecs and Image Sequences with Alpha Channels

Sean Schools
Tutorials, Workflow

To beginners, "Alpha channel" sounds like a sci-fi term, like some kind of video 4th dimension. Simply put, it's transparency, something that can be seen through. For example, if you have a graphic that you want export and overlay on top of your video, you need to export it in a format that allows everything but the graphic to be transparent. Otherwise your graphic will be surrounded by black video. This Rocketstock blog post by Michael Maher is a quick look at some of the codecs and image formats that support an alpha channel. These formats can be used when exporting out of Premiere Pro or Adobe Media Encoder.

Creating an overlay or title sequence that you want to make sure keeps the alpha channel on export? Here are some of the best video codecs and image sequences that will make layering clips a breeze. —Michael Maher, Rocketstock blog

Source: https://www.rocketstock.com/blog/video-codecs-and-image-sequences-with-alpha-channels/

Premiumbeat: Create a Simple Submix in Adobe Premiere Pro

Premiumbeat: Create a Simple Submix in Adobe Premiere Pro

Sean Schools
Tutorials, Audio

Submixes are so convenient. They make global audio adjustments to specific tracks easy by grouping them into one mix. In this Premiumbeat tutorial, Jason Boone shows you how simple it is to create a submix track in Premiere Pro. Submixes are also a great way to create audio stems of your dialogue, music, SFX, etc.

Need to apply audio and effect changes to multiple audio tracks — all at the same time? No problem. Follow these steps to create a submix in Adobe Premiere Pro. —Jason Boone, Premiumbeat Blog

Source: https://www.premiumbeat.com/blog/create-submix-in-adobe-premiere-pro/

Justin Odisha: How to create a VHS VCR Camcorder Video Look in Adobe Premiere Pro

Justin Odisha: How to create a VHS VCR Camcorder Video Look in Adobe Premiere Pro

Sean Schools
Tutorials, Effects

Reminiscing about the 90's? In this video tutorial, Justin Odisho teaches how to give your footage that timeless VCR look using native effects in Premiere Pro. For example, Justin begins with the Arithmetic effect to create a faux chromatic aberration. It's way cool. Now your footage can look like home videos again!

In this Adobe Premiere Pro CC 2017 tutorial I will show you how to create a vcr / vhs look using video effects, noise, glitches, and color distortions. Apologies for the semi rough voice in this one, getting over a cold! Back to normal soon. —Justin Odisho

Source: https://youtu.be/ilf20yDly2c

Peter McKinnon: Create the Cinematic look FAST in Adobe Premiere Pro

Peter McKinnon: Create the Cinematic look FAST in Adobe Premiere Pro

Sean Schools
Tutorials, Color

We've all seen the "Cinematic Look" or the "Hollywood Look" tutorial before, right? Well, Peter McKinnon shows you how in a way that is thorough, yet simple and easy to follow. Using the Lumetri Color panel in Premiere Pro. Peter walks through his simple process of adding more drama to his shots with a couple easy slider moves.

Learn how to create more cinematic / Hollywood looking footage with some easy tips on colour correction and a little bit of sound design. This tutorial outlines some basics in colour grading within Premiere Pro without having to use third party plug-ins. —Peter McKinnon

Source: https://youtu.be/GYud_W7Ou9E

Justin Odisho: How to Save and Use Custom Transition & Color Effects in Premiere Pro

Justin Odisho: How to Save and Use Custom Transition & Color Effects in Premiere Pro

Sean Schools
Tutorials, Effects

Custom effects and transitions are really cool because they're yours. Safeguard them forever by saving them as presets. Tutorialist extraordinaire, Justin Odisho, shows you how to create effects presets in Premiere Pro so you can quickly apply your favorite custom effects to any project.

In this Adobe Premiere Pro CC 2017 Tutorial, I will show you how to create and use your own custom presets for free. This will allow you to save major time creating color effects and transitions on clips and projects. The possibilities are endless when you combine presets together and use different adjustment layers, sequences, and clips. —Justin Odisho

Source: https://youtu.be/1qXTOaNaYOQ

2017 ACE EDDIE Awards: Deadpool and Hail, Caesar! (Edited in Premiere Pro)

2017 ACE EDDIE Awards: Deadpool and Hail, Caesar! (Edited in Premiere Pro)

Sean Schools
News, Premiere Projects

Congrats to the post-production teams of Deadpool and Hail, Caesar! for being nominated for the Eddie award for Best Edited Feature Film (Comedy). This is a big win for Adobe because both films were edited in Premiere Pro CC. Click the links below to read Adobe's blog posts on these films.

Source: https://americancinemaeditors.org/eddie-awards/eddie-nominees/

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