Vimeo: Introducing the Vimeo Panel for Adobe Premiere Pro

Post-production just got simpler: with the all-new Vimeo panel, you can upload videos from Adobe directly to your Vimeo account in just one click. And if you're a PRO and Business member, you can instantly create a video review page from Adobe to start collaborating with reviewers. Download the free panel now: https://join.vimeo.com/adobe-premiere-panel —Vimeo

Vimeo's relationship with Premiere Pro keeps getting more and more serious. It's like that obvious couple who won't admit they're a couple but everyone already knows they're a couple. Last week Vimeo added new features to their Review Pages, and now Premiere Pro users have a lot more to get excited about. Vimeo has announced their own panel for Premiere Pro, which you can download for free. The Vimeo panel allows users to choose their privacy settings and upload their timelines with either default or custom export presets. Once the video is uploaded, you can create a review page, copy the link, or adjust the video settings, all of which open in your browser. 

Unfortunately, you can't (at this time) manage your Vimeo library inside the panel. Only the videos uploaded with the panel are visible, and only for that specific project. Basically, the panel replaces the Vimeo direct publishing option in the Export Settings window. But make no mistake, Vimeo is committed to deeper integration in Premiere Pro. Vimeo says "we’re kind of sweet on Adobe — and that means our partnership’s just beginning". It's safe to assume Vimeo will soon include Review Page features inside Premiere Pro. The only mystery is how these changes will impact Wipster's relationship with Vimeo and other video review and approval competitors.

LensProToGo: Utilizing EQ in Adobe Premiere Pro CC

Brian from Archaius Creative, a Post House for Wedding and Commercial work, walks us through an introduction to EQ using Premiere Pro CC. Let us know in the comment below if you have any good tips for quick EQ adjustments. —LensProToGo

Premiere Pro CC 2017 users can make their audio sound great with the audio effects ported over from Adobe Audition. Lend your ear to Brian of Archaius Creative in this LensProToGo tutorial on how to use the new Parametric Equalizer in Premiere Pro. Learn what EQ is at 0:52 and get acquainted with the Parametric Equalizer's interface at 1:09. Brian then shows how to use the Parametric Equalizer in the following three examples:

  • 3:44 - Controlling lower-midrange "honk" and high-mid harshness
  • 8:00 - Controlling high-mid harshness, cutting sibilants, and adding warmth
  • 11:45 - Filtering our low-end rumble and restoring brightness

YCImaging: Faded Color Grade Tutorial in Adobe Premiere Pro CC

Chrystopher Rhodes aka YCImaging shows how to get that increasingly popular faded film look in Premiere Pro. First, he quickly walks through his own color correction process, increases the contrast, and at 1:15 he shows how he pulls out some of the browns in his footage using the HSL Secondary tools in the Lumetri Color panel. Then, at 2:29 Chrystopher shows two different ways to achieve the faded film look. The first way is the obvious Faded Film slider in the Creative tab of the Lumetri Color panel. But as Chrystopher points out, that can sometimes mess with your midtones. The second way gives you more control over your faded film look, and that's by using the Curves in the Lumetri Color panel.

In this tutorial I show you how to create a faded/vintage look for your color grade using Adobe Premiere Pro! —YCImaging

Chinfat: Markers - Adobe Premiere Pro CC 2017

Everything you wanted to know about markers in Premiere Pro. YouTuber, Chinfat, talks about markers in-depth in this episode of his Premiere Pro CC 2017 tutorial series. He starts off by showing what markers are, and how sequence and clip markers are different. At 5:34 Chinfat covers one of his favorite marker features: in and out points. This can be done by Option (Alt) clicking on markers or by modifying the duration field in the Marker inspector window. Markers can also be color coded, which Chinfat demonstrates at 7:54. He also shows how to search sequence or clip markers by color and text in the Marker panel at 8:50. Chinfat's tutorial is so thorough, at 10:47 he even explains how markers are saved to XMP files, which are stored in Premiere Pro's Media Cache Database. These settings can be controlled under Preferences. Finally, at 12:33 Chinfat shows how to enable Ripple Sequence Markers under the Markers menu. This setting is critical if you're making edits and want your markers to stay in sync with your clips. This is a long tutorial, but you'll walk away with a deep understanding of markers in Premiere Pro. Mark my words.

This episode covers the use of markers for organization in Premiere Pro. —Chinfat