Ryan Connolly talks about some of his process to editing the recent Ghost Recon: War Within the Cartel short film! Gear used: HP Z840 and Adobe Premiere Pro. —Film Riot
Ryan Connolly talks about some of his process to editing the recent Ghost Recon: War Within the Cartel short film! Gear used: HP Z840 and Adobe Premiere Pro. —Film Riot
In this mini movie editing breakdown, learn how to quick cut edit like in Fight Club's frantic flashback scenes directed by David Fincher. —Justin Odisho
Learn how to make a before and after split screen or side by side video in Adobe premiere Pro. No plugins required. —Orange83
Learn the difference between input LUTS and a Look and how to use them in colorgrading and correcting your footage in Premiere Pro Lumetri. —Cinecom.net
Whats up guys! Today, were covering PART 1 of a little series I want to do on transitions. How they are important, how they improve your films AND how they could make your films worse if you use them wrong. There are SO many ways to transition between clips. Zoom transition, Spin transition (those are coming up and are a little more advanced) but today specifically, were learning Frame Blocking and masking within Premiere Pro. —Peter McKinnon
This effect is a very complex effect that will not work with every clip but when it does, It's beautiful. It reminds me of something you would see in inception. Good luck and if you have any questions, let me know! —Kyler Holland
Kyler Holland has a new Premiere Pro tutorial that will turn your world upside down. Literally. To do this epic sky transition, you obviously need the... sky. Specifically, you need a shot with the sky unobscured by any objects. A clear blue sky or a completely overcast sky will work better than a partly cloudy sky.
To get started with this transition, place your incoming clip - the one you're transitioning to - above the first clip and rotate it 180° degrees so it's upside down. See how Kyler does it at 0:42.
Next, animate the position of the incoming clip so that it starts completely out of frame and slides down as Kyler shows at 0:59. NOTE: Kyler's first clip is tilting up to the sky so that it completely fills the frame by the time the incoming second clips fully animates in. This is a good shooting strategy for this transition. Otherwise, he would have to animate the first clip down in order to match the sky to second clip as it slides down.
You may need to finesse the animation of your clips by changing the interpolation of your keyframes. To do this, right-click a keyframe and choose what type of interpolation you want. (Kyler changes the temporal interpolation of his keyframes to Ease In and Ease Out.)
The final step for this sky transition is masking and feathering the hard edge (the top of the second clip) so that the sky seamlessly blends between the two clips. Kyler creates his mask at 1:46 using an Opacity mask. Alternatively you could try using the Crop or Linear Wipe effects, which both have feather settings as well.
Continue watching the tutorial at 3:23 to see Kyler repeat the process with some variations to transition to a third clip.
In this video tutorial am I showing you several shortcuts I use the most while editing in Adobe Premiere Pro, this will improve and quicken your editing workflow even more and learn to use quick short cuts to access tabs faster and also to access things without doing extra steps. —Chung Dha
5 easy flash transition effects you can do in Premiere Pro without plugins! —YCImaging
YCImaging back again with 5 flash transitions to enhance your music videos. Of course, you can add these flashes to anything you want, but you'll quickly see how they can make the edits in your music video really pop.
First, there's the "double flash" at 0:37. This transition uses Additive Dissolves on two edit points that are a few frames apart.
Next, at 2:15, is the "flash build". YCImaging keyframes the Brightness & Contrast effect to ramp into a flash at the end of a clip. He adjusts the keyframe interpolation using the Velocity Graph in the Effect Controls panel. He does the same on the incoming clip and reverses the keyframes to come out of the flash. Alternatively, you could apply this effect to an adjustment layer that spans the two clips.
The third transition at 6:18 combines the first two (double flash and flash build). Only instead of using Additive Dissolves on edit points, YCImaging animates the Brightness & Contrast to do a double flash before hard cutting to the next clip.
The fourth transition at 9:10 is "like a ghost and zoom". The first step is duplicating both the outgoing and incoming clips. Next, switch the blend mode on the outgoing clip to Color Dodge. (Experiment with different blend modes!) Then YCImaging uses the Transform effect to animate the Opacity and Scale of the duplicated outgoing clip. The Transform effect is perfect for this because you can motion blur to the animation by customizing the Shutter Angle. YCImaging does the same on the duplicated incoming clip but in reverse so it comes out of the flash/ghost/zoom.
The fifth and last flash transition at 15:28 looks like "the light is coming off the actual frame". First, create a Black Video that matches your sequence and lay it over the edit point between your clips. Apply the Lighting Effects effect to the black video. With the playhead on the edit point, YCImaging animates the Minor Radius to create a 10-frame flash. Change the Blend Mode of the Black Video to Screen to reveal the video underneath.
In this tutorial video I am going to show you how to achieve the Square Spin Title Text reveal animation in Adobe Premiere Pro. This is a great title reveal to introduce the title of your video. —Chung Dha
In this Premiere Pro tutorial, Ignace Aleya of Tolerated Cinematics shows how to reveal video through text. This technique (alpha matte and luma matte) applies to any black or white shapes.
In this tutorial, I’ll give you a brief introduction into the world of blend modes. To accomplish this I will focus on a simple task — adjusting exposure. First, I will darken an overexposed image and then brighten an underexposed image. Finally, I’ll show you how to adjust the exposure of isolated areas of your footage. —Jason Boone, Premiumbeat
Learn how to Clone Yourself in Adobe Premiere Pro in this tutorial! —Justin Odisho