Adobe Video World 2016 Day 5

Highlights from Day 5 of Adobe Video World 2016:

  • Secondary Color Correction in After Effects CC
  • Mocha AE Essentials
  • VR Workflows: Stitching and Effects
  • After Effects Expressions
  • Premiere Pro Driven After Effects Expressions

Adobe Video World 2016 Day 4

Highlights from Day 4 of Adobe Video World 2016:

  • Winning Over Clients with Quality Questions
  • Frame.io Case Study
  • Working with Effects in Premiere Pro CC
  • Tips for Better Masking and Tracking
  • Staying Organized in Premiere Pro CC
  • Creative Cloud Workflow Case Study
  • VR Storytelling and Interactivity

Premiumbeat: Create Custom Effect Presets in Premiere Pro

Learn how to customize and save your own Premiere Pro effects in this Premiumbeat tutorial by Jason Boone. Watch the video above, or read to the blog post, to follow along with Jason as he shows how to create an effect preset that can be saved for later use, and easily shared with others.

"Understanding how to use effects in Premiere Pro is a great skill set to have as a video editor. The real power comes with learning how to customize and save your own effect presets. Let’s take a look at how to customize an effect in the Effect Controls panel, go over how to save a preset in the Effects panel, and learn how to export our final custom effect presets to share with others." —Jason Boone

Adobe Video World 2016 Day 3

Highlights from Day 3 of Adobe Video World 2016:

  • Adobe Day
  • Happy 25th Birthday Adobe Premiere Pro
  • A Trip Down Memory Lane with Al Mooney
  • Panel Discussion on Team Projects
  • Lunch and Breakout Sessions with Adobe Employees
  • The Future of Adobe
  • Adobe Video World Expo Night

Adobe Video World 2016 Day 2

HIGHLIGHTS FROM DAY 2 OF ADOBE VIDEO WORLD 2016:

  • Must-Know Plugins for Premiere Pro CC
  • Gravity Waves and Proxy Workflows
  • Logging Strategies and Tips
  • An Introduction to VR
  • The Power of Pancake Timeline Editing
  • The Art of Editing Trailers

Adobe Video World 2016 Day 1

Highlights from Day 1 of Adobe Video World 2016:

  • A close look at the new features coming to Premiere Pro CC
  • Audio mixing order of operations, and submixes in Premiere Pro CC
  • Organizing a Premiere Pro CC project by story and theme
  • A quick After Effects CC tip for label colors
  • Tangent Ripple demo, and on-the-go color workflows 

Screenlight: Master Keyframe Interpolation in Premiere Pro

Premiere Pro trainer Jason Cox makes another appearance on the Screenlight blog. This time he shows how to do keyframe interpolation in Premiere Pro. In short, interpolation controls the animation between two keyframes. Keyframe interpolation is important because it will help your animation appear smooth and more natural. To learn more, visit: Controlling Effect Changes Using Keyframe Interpolation in Premiere Pro.

Changing keyframe interpolation is all about changing how a clip gets from value A to value B - that is, how fast and what path it takes to get there. —Jason Cox, Screenlight Blog

Adobe: 5 Things to Look Forward to at Adobe Video World 2016

In this Adobe Creative Cloud blog post, Sean Schools a.k.a. Premiere Bro lists 5 things to get excited about at Adobe Video World 2016. Highlights include new trainers, VR, Character Animator, and celebrating Adobe Premiere Pro's 25th anniversary! It's an insightful read for Adobe Video World attendees.

There’s a lot to look forward to at this year’s Adobe Video World in Seattle, and not just for attendees. —Sean Schools, Premiere Bro

Dylan Osborn: Set Up a Proxy Workflow, Part 1

In this Done with Dylan tutorial, Dylan Osborn teaches how to set up a proxy workflow in Premiere Pro. CC 2015.3 and later. He walks through how to generate proxies, and explains the default proxy formats and sizes. Dylan does the math for you and provides a conversion reference, so you can select the right format for your footage. This tutorial is part 1 of 2-part series.

Improved performance is the goal of a proxy workflow, but you need to choose the right preset for your media and manage proxies through the edit. Part one shows you how to get set up. —Dylan Osborn

Jamie Brightmore: Highlight / colour individual words in Premiere Pro using Live Text templates from After Effects

In this blog post, filmmaker and designer, Jamie Brightmore, shows how to take advantage of live text templates in After Effects to create eye-catching onscreen text in Premiere Pro

A method for highlighting / colouring certain words in Premiere Pro using Live Text templates from After Effects. Very useful for the current trend seen in Facebook feeds where subtitles, or overlaid text, is required to attract attention. —Jamie Brightmore